“La Société Du Spectacle Today”, the last jpgtxtflvpngrtfmp4 ISSUU of january. When I gathered all what did triggered me during January, it all came down to an refreshing of the Société du Spectacle de Guy Debord. Book I recommend to read again soon.
Une autre façon de visualiser ce qu’est Internet ? Un mur de visages éclairés par leurs propres écrans ? bashford:
Hello World! by Christopher Baker is a large-scale audio visual installation comprised of thousands of unique video diaries gathered from the internet. The project is a meditation on the contemporary plight of democratic, participative media and the fundamental human desire to be heard.
NAI Publisherssays: Should artists be activists? Is activist art one of an artist’s primary responsibilities or a pointless sideshow on the fringes of serious politics? The philosopher, writer and art historian Lieven de Cauter, Ruben de Roo and Karel Vanhaesebrouck explore this theme in collaboration with other thinkers and doers in his new book Art and Activism in the Age of Globalization.
In a time of globalization, populism, hypercapitalism, migration, War on Terror, and global warming, artistic engagement is vital. Art and Activism in the Age of Globalization takes the measure of contemporary activist art. What is the role of art and activism in the polarized, populist society of the spectacle? Art & Activism examines both the criticism of engagement as a mere pose and the need for cultural activism in today’s society. Urban activism and activism by anonymous networks are also investigated. Special attention is devoted to the effects of the War on Terror on activism in practice. The book concludes with a theoretical framework for contemporary activism and an impassioned plea for genuinely political art.
Interesting work of Sergio Albiac, creating Videorative Portrait. I’d love to see one of these pieces IRL.
“A videorative portrait is a new kind of digital painting technique developed by Sergio Albiac. He wanted to create a more “realistic” contemporary portrait of the physical and the psychological of a person. He starts with collecting personal videos of the person portrayed, tagged by him/her with relevant concepts and descriptions. Then, using a custom developed tool, the artist “paints with meanings” and generates a video portrait, subtitled with generative personal narratives.” via today and tomorrow
Time-lapse movies are compelling because they give us a glimpse of events that are continually occurring around us, but at a rate normally far too slow to for us to observe directly. A History of the Sky enables the viewer to appreciate the rhythms of weather, the lengthening and shortening of days, and other atmospheric events on an immediate aesthetic level: the clouds, fog, wind, and rain form a rich visual texture, and sunrises and sunsets cascade across the screen.
This is a work in progress. Currently, an image of the sky is being captured every 10 seconds from a camera installed on the roof of the Exploratorium, on the edge of San Francisco Bay. The images collected over each 24-hour period are assembled into a 6 minute movie (at 24 frames/second).
The final piece will consist of a large projected grid of 365 movies, each representing one day of the year, and cycling in parallel through consecutive 24-hour periods. The viewer can stand back and observe the atmospheric phenomena of an entire year in just a few minutes, or approach the piece to focus on a particular day.
This will also be an active piece. The camera will continue to collect images and integrate them with the montage daily. The visualization will therefore vary from day to day, and will always display the most recent 365 days.